Robust Aluminum Lens for APS-C Cameras
2.4:1 De-Squeezed Format; 10-Blade Iris
Schott Glass with Nano Coatings
Horizontal Blue Streaks/Less Stray Light
Camera technology is a field that is constantly advancing. With every new innovation, comes a cut-throat competition between brands to produce the best digital movie camera. However, cameras are pointless without the lens that makes or breaks the product.
In the field of cinematography and photography, a professional digital video camera works as the medium to deliver high-quality output.
So which is the one for you?
So with a wide range of products, how do you decide which one is best suited for your needs? Knowing the market and the uses of various lenses is the only way you can choose the best camera lens for cinematography.
Amongst filmmakers today, the Rokinon Cinema lens has gained popularity for its improved manual focus, iris control, and a step-less, “de-clicked” aperture. Under this, you can opt for a number of models that make for the best filmmaking lenses, here are a few listed:
Available in 12, 14, 24, 35, 50, and 85mm focal lengths, the biggest advantage of this is the fact that it does not require much readjustment of accessories when swapping out lenses.
It produces speed even when the aperture is at its peak. Considered as one of the sharpest 35mm in the market, these are great when looking for versatility.
With Tokina cinema lenses, we only see those digital movie cameras for sale that have limited focus breathing so that the audience is fully submerged in the cinematic experience.
For those filmmakers who prefer APS-C or smaller sensors, this ultra-wide zoom lens is a clear-cut choice. The quality produced from it gives an undistorted product.
To please the filmmakers, Tokina has come up with a cinema lens version of the one listed above. Its ability to remain parfocal throughout the zoom range makes it an obvious choice before it is purchased. One of its features is also that it is the best mft lens for video output.
A digital camera recorder company and now the producer of L-Series cine prime lenses, these lenses were made for motion pictures. A great thing about this series is its 11-blade diaphragms that could give a stunning rounded bokeh at all aperture settings.
What Canon has done is, they have made sure to keep the structure of each lens in this series similar to each other. The only exception being the ultra-wide 14mm and telephoto 135mm. With the Canon EF mount, they can be used on C-Series cameras and Canon’s full-frame DSLRs.