Best Lens for Cinematography | Buy Digital Cinema Lens at Best Prices

Digital Cinema Lenses

-20%
Sirui 35mm f/1.8 Anamorphic 1.33x Lens MFT Mount, 35mmF1.81.33x
In Stock, Ready to Ship
Key Features

Covers Micro Four Thirds/APS-C Sensors
Suitable for 4K Image Capture
2.4:1 De-Squeezed Format; 10-Blade Iris
191° Focus Rotation
Schott Optical Glass with Nano Coatings
Blue Streak Effects / Less Stray Light
67mm Filter Thread
Focus Scales in Feet & Meters
2.8' Minimum Focus
Weighs 1.5 Pounds
Rs 62,928
Rs 78,660
Samyang 35mm T1.5 VDSLR AS UMC II Lens for Nikon F,
In Stock, Ready to Ship

Bright T1.5 aperture
Circular aperture with 8 blades
Aspherical Lens
Ultra Multi Coating (UMC) of Samyang Optics
Designed as Cine lens – Follow Focus Gear Rings and Declicked Aperture
Rs 45,991
Samyang 35mm T1.5 VDSLR AS UMC II Lens for Canon EF,
In Stock, Ready to Ship

Bright T1.5 aperture
Circular aperture with 8 blades
Aspherical Lens
Ultra Multi Coating (UMC) of Samyang Optics
Designed as Cine lens – Follow Focus Gear Rings and Declicked Aperture
Rs 45,991
Samyang 35mm T1.5 VDSLR AS UMC II Lens for SONY FE,
In Stock, Ready to Ship

Bright T1.5 aperture
Circular aperture with 8 blades
Aspherical Lens
Ultra Multi Coating (UMC) of Samyang Optics
Designed as Cine lens – Follow Focus Gear Rings and Declicked Aperture
Rs 45,991
Samyang 35mm T1.5 VDSLR AS UMC II Lens for MFT
In Stock, Ready to Ship

Bright T1.5 aperture
Circular aperture with 8 blades
Aspherical Lens
Ultra Multi Coating (UMC) of Samyang Optics
Designed as Cine lens – Follow Focus Gear Rings and Declicked Aperture
Rs 45,991
Samyang 50mm T1.5 VDSLR AS UMC Lens for Nikon F Mount, SA5015N
In Stock, Ready to Ship
Key Features

F Mount Lens/FX Format
Aperture Range: T1.5 - T22
One Aspherical, One Hybrid Asph. Element
Manual Focus and Aperture
Geared Focus and Aperture Control Rings
De-Clicked Aperture Control Ring
UMC Lens Multi-Coating
Minimum Focus Distance of 1.5'
Lateral Aperture and Distance Markings
Rs 38,490
Samyang 50mm T1.5 VDSLR AS UMC Lens for Canon EF Mount, SA5015C
In Stock, Ready to Ship
Key Features

EF Mount Lens/Full Frame Format
Aperture Range: T1.5 - T22
One Aspherical, One Hybrid Asph. Element
Manual Focus and Aperture
Geared Focus and Aperture Control Rings
De-Clicked Aperture Control Ring
UMC Lens Multi-Coating
Minimum Focus Distance of 1.5'
Lateral Aperture and Distance Markings
Rs 38,490
Samyang 50mm T1.5 VDSLR AS UMC Lens For Sony E Mount, SA5015SE
In Stock, Ready to Ship
Key Features

E Mount Lens/APS-C & Full Frame
75mm (35mm Equivalent on APS-C)
Aperture Range: T1.5 - T22
One Aspherical, One Hybrid Asph. Element
Manual Focus and Aperture
Geared Focus and Aperture Control Rings
De-Clicked Aperture Control Ring
UMC Lens Multi-Coating
Minimum Focus Distance of 1.5'
Lateral Aperture and Distance Markings
Rs 38,490
Samyang 50mm T1.5 VDSLR AS UMC Lens For Micro Four Thirds, SYDSMMFT
In Stock, Ready to Ship
Key Features

Micro Four Thirds Format Lens
100mm (35mm Equivalent on MFT)
Aperture Range: T1.5 - T22
One Aspherical, One Hybrid Asph. Element
Manual Focus and Aperture
Geared Focus and Aperture Control Rings
De-Clicked Aperture Control Ring
UMC Lens Multi-Coating
Minimum Focus Distance of 1.5'
Lateral Aperture and Distance Markings
Rs 38,490
-5%
Samyang 24mm T1.5 VDSLR MK2 Cine Lens Canon RF, SASYDSX24RF
In Stock, Ready to Ship
Key Features

Full-Frame 24mm Cine Lens, T1.5 Aperture
Weather Sealed, 9-Blade Iris, Canon RF
Multilayer Coating to Reduce Flare
Focal Lengths Visible on Both Sides
Standard Gearing for Focus and Iris
Dual-Side Focus and T-Stop Scales
De-Clicked Aperture Ring
Aspherical Lens Elements
Manual Focus and Aperture
Removable Petal-Type Lens Hood
Rs 52,715
Rs 55,490
-5%
Samyang 24mm T1.5 VDSLR MK2 Cine Lens Sony E Mount, SASYDSX24E
In Stock, Ready to Ship
Key Features

Full-Frame 24mm Cine Lens, T1.5 Aperture
Weather Sealed, 9-Blade Iris, Sony E
Multilayer Coating to Reduce Flare
Focal Lengths Visible on Both Sides
Standard Gearing for Focus and Iris
Dual-Side Focus and T-Stop Scales
De-Clicked Aperture Ring
Aspherical Lens Elements
Manual Focus and Aperture
Removable Petal-Type Lens Hood
Rs 52,715
Rs 55,490
-5%
Samyang 24mm T1.5 VDSLR MK2 Cine Lens MFT Mount, SASYDSX24MFT
In Stock, Ready to Ship
Key Features

MFT 24mm Cine Lens, T1.5 Aperture
Weather Sealed, 9-Blade Iris, MFT Mount
Multilayer Coating to Reduce Flare
Focal Lengths Visible on Both Sides
Standard Gearing for Focus and Iris
Dual-Side Focus and T-Stop Scales
De-Clicked Aperture Ring
Aspherical Lens Elements
Manual Focus and Aperture
Removable Petal-Type Lens Hood
Rs 52,715
Rs 55,490
-5%
Samyang 24mm T1.5 VDSLR MK2 Cine Lens (EF Mount), SYDSX24-C
In Stock, Ready to Ship
Key Features

Full-Frame 24mm Cine Lens, T1.5 Aperture
Weather Sealed, 9-Blade Iris, Canon EF
Multilayer Coating to Reduce Flare
Focal Lengths Visible on Both Sides
Standard Gearing for Focus and Iris
Dual-Side Focus and T-Stop Scales
De-Clicked Aperture Ring
Aspherical Lens Elements
Manual Focus and Aperture
Removable Petal-Type Lens Hood

In the Box: Samyang 24mm T1.5 VDSLR MK2 Cine Lens (EF Mount), Front and Rear Lens Caps, Petal-Type Lens Hood, Lens Pouch
Rs 52,715
Rs 55,490
-5%
Samyang 35mm T1.5 VDSLR MK2 Cine Lens E Mount, SASYDSX35E
In Stock, Ready to Ship
Key Features

Full-Frame 35mm Cine Lens, T1.5 Aperture
Weather Sealed, 9-Blade Iris, Sony E
Multilayer Coating to Reduce Flare
Focal Lengths Visible on Both Sides
Standard Gearing for Focus and Iris
Dual-Side Focus and T-Stop Scales
De-Clicked Aperture Ring
Aspherical Lens Elements
Manual Focus and Aperture
Removable Petal-Type Lens Hood
Rs 45,115
Rs 47,490
-5%
Samyang 35mm T1.5 VDSLR MK2 Cine Lens MFT Mount, SASYDSX35MFT
In Stock, Ready to Ship
Key Features

MFT 35mm Cine Lens, T1.5 Aperture
Weather Sealed, 9-Blade Iris, MFT Mount
Multilayer Coating to Reduce Flare
Focal Lengths Visible on Both Sides
Standard Gearing for Focus and Iris
Dual-Side Focus and T-Stop Scales
De-Clicked Aperture Ring
Aspherical Lens Elements
Manual Focus and Aperture
Removable Petal-Type Lens Hood
Rs 45,115
Rs 47,490

Camera technology is a field that is constantly advancing. With every new innovation, comes a cut-throat competition between brands to produce the best digital movie camera. However, cameras are pointless without the lens that makes or breaks the product.

In the field of cinematography and photography, a professional digital video camera works as the medium to deliver high-quality output.

So which is the one for you?

So with a wide range of products, how do you decide which one is best suited for your needs? Knowing the market and the uses of various lenses is the only way you can choose the best camera lens for cinematography.

Rokinon Cinema Lenses

Amongst filmmakers today, the Rokinon Cinema lens has gained popularity for its improved manual focus, iris control, and a step-less, “de-clicked” aperture. Under this, you can opt for a number of models that make for the best filmmaking lenses, here are a few listed:

Rokinon’s Cine DS lenses

Available in 12, 14, 24, 35, 50, and 85mm focal lengths, the biggest advantage of this is the fact that it does not require much readjustment of accessories when swapping out lenses.

35mm T1.5 Cine DS

It produces speed even when the aperture is at its peak. Considered as one of the sharpest 35mm in the market, these are great when looking for versatility.

Tokina Cinema Lenses

With Tokina cinema lenses, we only see those digital movie cameras for sale that have limited focus breathing so that the audience is fully submerged in the cinematic experience.

Tokina 11-16mm f/2.8

For those filmmakers who prefer APS-C or smaller sensors, this ultra-wide zoom lens is a clear-cut choice. The quality produced from it gives an undistorted product.

Tokina Cinema 11-16mm T3.0

To please the filmmakers, Tokina has come up with a cinema lens version of the one listed above. Its ability to remain parfocal throughout the zoom range makes it an obvious choice before it is purchased. One of its features is also that it is the best mft lens for video output.

Canon L-Series Cine Prime Lenses

A digital camera recorder company and now the producer of L-Series cine prime lenses, these lenses were made for motion pictures. A great thing about this series is its 11-blade diaphragms that could give a stunning rounded bokeh at all aperture settings.

What Canon has done is, they have made sure to keep the structure of each lens in this series similar to each other. The only exception being the ultra-wide 14mm and telephoto 135mm. With the Canon EF mount, they can be used on C-Series cameras and Canon’s full-frame DSLRs.